The Rwandan Genocide
Films
The Rwandan genocide occurred between 7 April and 15 July 1994 during the Rwandan Civil War. During this period of around 100 days, members of the Tutsi minority ethnic group, as well as some moderate Hutu and Twa, were slaughtered by armed militias.
Art and the Rwandan Genocide
Art from Trauma by Art from Trauma: Genocide and Healing beyond Rwanda explores the possibility of art as therapeutic, capable of implementation by mental health practitioners crafting mental health policy in Rwanda.
- Within the Box: Cross-Cultural Art Therapy With Survivors of the Rwanda GenocideThis article discusses the creative making of boxes as a cross-cultural art therapy intervention in Kigali, Rwanda, with survivors of the 1994 Rwandan genocide
Education and the Rwandan Genocide
- Teaching "Other" Genocides: Exploring the Intersection of Global Education and Genocide StudiesToday, more than 30 states mandate the teaching of the Holocaust; however, far less attention is given in schools to other 20th-century instances of genocide.
History and the Rwandan Genocide
Centuries of Genocide by The fourth edition of Centuries of Genocide: Essays and Eyewitness Accounts addresses examples of genocides perpetrated in the nineteenth, twentieth, and twenty-first centuries.
- Genocide Archive of RwandaThe Genocide Archive of Rwanda was established by the archive and documentation department of the Aegis Trust Rwanda, a non-governmental organization that strives to prevent mass atrocity and genocide through education.
Speech and the Rwandan Genocide
- Countering Dangerous Speech: New Ideas for Genocide PreventionInflammatory hate speech catalyzes mass killings including genocide, according to scholars, survivors and, notably, some former perpetrators. By teaching people to view other human beings as less than human, and as mortal threats, thought leaders can make atrocities seem acceptable – and even necessary, as a form of collective self defense.
- Dangerous Speech and Dangerous Ideology: An Integrated Model for Monitoring and PreventionThis paper draws together the authors’ independent past work on dangerous speech and the ideological dynamics of mass atrocities by offering a new integrated model to help identify the sorts of speech and ideology that raise the risk of atrocities and genocides
- Genocide and the Media: Roles and RelationshipsThis part of the exhibit explores the theme of mass media, in particular, print, radio and film.Because media is so diverse, it is impossible to generalize its impact, its role or its intent. However, the people behind the media (journalists, publishers and editors, photographers, documentary filmmakers, etc.) always interact with power.
- Vile Crime or Inalienable Right: Defining Incitement to GenocidePolitical leaders in Nazi Germany, Rwanda, and other pre-genocidal societies prepared civilian populations to condone genocide, by using certain techniques to make mass killing seem first acceptable, and then necessary. This article describes those techniques, and includes them in a new six-prong model for incitement to genocide.
Theatre and the Rwandan Genocide
Performing Trauma in Central Africa by What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire.
- Theatre and the Rwandan GenocidePublished in Art from Trauma: Genocide and Healing Beyond Rwanda.
The Theatre of Genocide by In this pioneering volume, Robert Skloot brings together four plays—three of which are published here for the first time—that fearlessly explore the face of modern genocide.
Literature and the Rwandan Genocide
The Postcolonial African Genocide Novel: Quests for Meaningfulness by Publication Date: 2021In The Postcolonial African Genocide Novel, Chigbo Anyaduba examines fictional responses to mass atrocities occurring in postcolonial Africa. Through a comparative reading of novels responding to the genocides of the Igbo in Nigeria (1966-1970) and the Tutsi in Rwanda (1990-1994), the book underscores the ways that literary encounters with genocides in Africa’s postcolonies have attempted to reimagine the conditions giving rise to exterminatory forms of mass violence.
